90% of our couples this year chose to have Michael solo. But for larger weddings, or where there is something particularly special happening with the other side of the wedding party we’d always recommend including Hannah in your coverage. This normally provides an extra 250 or so photos and gives an alternative perspective on key moments throughout the day.

I’ve shot with Sony cameras for the last 5 years but in truth have very little brand loyalty. I’ve shot weddings on Canon, Nikon and Fuji cameras and truthfully equipment these days is so phenomenally capable that Sony has just become the brand that I personally feel connected to and know inside out.

My edit leans towards a warmer, richer tone where colours stay true to life but perhaps viewed through a pair of tinted sunglasses. Contrast stays neutral and the result is a flattering, timeless look that you’ll still want on display 25 years from now.

Yes, exhaustively. If your venue needs it just ask them to email us for our current certificates.

Well, on the equipment side thats a very easy question to answer. I have spare bodies and lenses in my car and each camera records a duplicate image to a second memory card so if in the highly unlikely scenario that something were to go wrong, your images are safe.

Should something happen to me the first port of call is that Hannah would step forward as lead photographer. Having shot with me at hundreds of weddings she is the ideal replacement. If the awful situation arose that affected us both we’re very fortunate to be connected to dozens of wonderful wedding photographers across the country. We would reach out to them and do our very best to find you a replacement at short notice to approve and work with. We would more than likely then take those images and continue with the edit to make sure that the collection has that signature Jackson & Co look and feel.